Editing
Structure and pace
Documentaries, commercials, podcasts and creator channels. We shape your footage into a cut with rhythm, then handle sound and clean-up so it holds up anywhere it plays.
How editing works
Video & Photo Studio
The edit nobody notices. The finish they remember.
IVAN COROLI is one editor, a fixed quote, and a finished film. We handle the edit, the grade and the retouch, and we hand the final files over on the day we said.
Clear feedback
You talk directly to the person doing the work.
Plain-language notes
One person answers your emails, not a queue.
No middlemen
Fixed scope, fixed date, no surprise extras.
Written scope
Feedback in clear sentences, never vague adjectives.
01 — Services
Three services, one standard of care
Everything else we do grows out of these. Each project starts with a written brief and a quote you can actually plan around.
Color
Color that belongs
A look that belongs to your film, not a preset menu. We match scenes, build a palette, and finish in the formats your platform actually accepts.
How color works
Retouching
Texture that stays
Portraits, products and editorial work, cleaned and balanced without that plastic look. Skin stays skin, texture stays texture, and the client stays happy.
How retouching works
02 — Recent work
A few recent finishes
03 — The studio
Every project, one pair of hands.
IVAN COROLI is a one-person post house, run by IVAN COROLI out of Edineţ, Moldova, working with clients in fourteen countries. Small by choice — because a single careful editor, reachable by email, is usually better than a production line.
We keep the roster small so every project gets the same attention. Everything is written down, scoped, and finished.
- Written brief and scope before any work starts
- Secure file delivery and confidentiality by default
- Feedback in clear notes, not vague adjectives
19Countries
250+Projects
40Repeat clients
10 yrsIn post
04 — How it works
Four steps, no surprises
Handover
Masters, every format you asked for, and project folders you can navigate.
Draft
You see a first cut quickly, then we tighten it in clear revision rounds.
Quote
A fixed price and a committed date. Half upfront holds your slot; the rest on delivery.
Final
You get master files, all requested formats, captions, and a summary of what changed along the way.
05 — Journal
Notes from the timeline
Cutting on motion is a shortcut, not a rule
Why cutting on action can smooth a scene over and how to let the emotion set the rhythm instead.
Read the piece
Why your blacks are not your blacks
The crushed blacks you love may be hiding noise, and what to check before committing to them.
Read the piece
Retouching that survives a client's zoom-in
Natural skin, honest texture, and the settings you should never trust to 100.
Read the piece
06 — Client words
What people say after the project
“
She cut our conference film down to a length that still told the whole story.
Lukas WeberEvents lead, Munich
“
We needed forty images in a week for a launch. They came back on day four, and the print looked better than the brief.
Ana-Maria StanMerchandising lead, Cluj
Quotes reflect individual client experiences. Results vary by project and are not a guarantee of any outcome.
Footage sitting on a drive, unfinished?
Share the footage and the deadline — a fixed quote comes back within one working day.